The artist behind the seminal photo series reflects on early internet culture and our enduringly macho society

Ahead of Phillips’ 20th Century & Contemporary Art Auctions in New York, writer Flossie Skelton reflects on how AIDS impacted New York City’s downtown art scene in the 80s and 90s

“Even the ‘feminist’ histories of art are told with a focus on a very narrow demographic of women; women who associated themselves explicitly with a certain type of feminism”

A new documentary, Sirens, follows the story of Lilas Mayassi and Shery Bechara – two defiant thrash guitarists using music to rage against the country's social and economic crises

The Oscar-nominated DOP talks working on The Power Of The Dog, and the rugged, ‘imperfect’ beauty of New Zealand: ‘It’s like shooting someone you love lying on a bed’

Though not embraced by the art world at first, Resnick played a significant role in New York’s downtown scene in the 70s. A new exhibition proves her recognition is long overdue

Photographer and curator Liz Hingley discusses Side Gallery’s latest exhibition: Youth Rising in the UK, 1981-2021

After migrating from his native Philadelphia aged 18, photographer Tyrell Hampton found solace in the city’s clubs

The French-born photographer – who was selected for this year’s Ones to Watch – reflects on what it means to be an immigrant

“After all, how do you meaningfully define a life, if not by the people in it?”

Weaving gold throughout her work as a reference to value, Blas’s ongoing series, The Girls Who Spun Gold, explores the conflicted process of learning to interpret one’s identity in relation to pre-existing structures

Between the ages of 20 and 40, Thompson shot around the country. The result tells the story of the final years pre-Brexit, and pre-Covid — and its release coincides with a new epoch for England

Commissioned by WaterAid and BJP, Wata Na Life captures communities banding together in the face of an increasingly volatile climate

L’autre Rive parallels the heroism of Kurdish guerilla fighters in Iraq with their plight once they come to seek refuge in Europe

Through the lenses of over 50 different photographers, New Queer Photography traverses a heady mix of identities, experiences, dynamics and aesthetics to counter “one-dimensional” perceptions of queerness

Edgar Martins’ poignant series series uses the context of a prison to explore the philosophical concept of absence, and the troubling impacts of state-enforced separation

Broken Princess tells the story of women in Iraqi Kurdistan who try to escape – and protest – domestic violence by setting themselves on fire

Kateryna Radchenko, founder and curator of Ukraine’s only contemporary photography festival, discusses Ukrainian women’s contribution to the medium in the context of the country’s cultural and historical tensions

From ever-present threats of violence and vitriol to the celebrated rites of bearing children, Volume 1 explores narratives of autonomy and ownership around women’s bodies — ultimately asking: are women’s bodies are ever “just their own”?

‘The Imprisonment of Being a Girl’ charts both the magic and misery of female adolescence, exploring the intricate nature of girls’ most significant relationships as they move from childhood to adulthood

As we reconfigure our national identity post-Brexit, Portrait of Britain explores what it means to be British through the art of portraiture

Against the backdrop of a nation still picking up the pieces, the ‘Strengths’ issue celebrates portraits of strength and fragility – power and precariousness – in British communities, families and institutions